The graphic arts of Great Britain; drawing, line-engraving, etching, mezzotint, aquatint, lithography, woodengraving, colour-printing
A 1917 survey of British printmaking by Malcolm C. Salaman, edited by Charles Holme for The Studio in London and New York, aimed at collectors and students of engraving. Plates reproduce drawings, etchings, aquatints and colour prints: pale washed landscapes, silhouetted figures against yellow light, riverside town views, and close crops of bark and foliage useful as textured grounds.
