Modern etchings, mezzotints and dry-points
A 1913 special number of The Studio, edited by Charles Holme with essays by Malcolm C. Salaman, E. A. Taylor and Ph. Zilcken, surveying contemporary etching, mezzotint and drypoint for collectors and print students in London and New York. The 196 plates reproduce sketch-like line work and soft tonal mezzotints: street fronts, bridges, canals, harbours, trees and figure studies, useful for loose hatching, plate-mark borders and smoky grey washes.
