Die darstellung der Anbetung der heiligen drei Könige in der toskanischen Malerei von Giotto bis Lionardo
An art-historical dissertation by Neena Hamilton on depictions of the Adoration of the Magi in Tuscan painting from Giotto to Leonardo, published by J. H. Ed. Heitz in Strasbourg in 1901 for scholars of Italian art. The plates are halftone photographs of panel paintings and frescoes, dense with kneeling crowds, horses, ruined architecture and rocky landscape, useful as crowd-scene compositions and drapery reference.
