An inquiry into the difference of style observable in ancient glass paintings : especially in England: with hints on glass painting
Charles Winston's 1847 study of medieval English stained glass, published in Oxford by John Henry Parker for antiquaries, architects and glass painters comparing period styles. Wood-engraved diagrams reduce window details to flat black-and-white shapes: crowns, quatrefoils, heraldic roses, mitres and quarry borders, usable as high-contrast ornament, spot motifs or stencil-like silhouettes.
