L'art religieux de la fin du moyen âge en France;
Émile Mâle's scholarly survey of late medieval French religious iconography, published in Paris by A. Colin in 1908 for art historians, students and clergy. The 263 plates are halftone reproductions of manuscript miniatures, carved altarpieces, tomb sculpture and stained glass, showing Passion and Marian scenes inside Gothic arcades with ivy-leaf borders, kneeling donors and crowded angel choirs; useful for Gothic frame structures, figure groupings and devotional symbol sets.
