Symbol and satire in the French Revolution
Ernest F. Henderson's 1912 study for G. P. Putnam's Sons, New York and London, reproducing French Revolutionary prints, caricatures and emblems of the 1790s for English-reading students of the period. The plates are engraved and etched line work: robed clergy and deputies in procession, crowd scenes before classical facades, oval allegorical vignettes with soldiers, windmills and flying figures, keyed captions beneath.
