Weitenkampf, Frank, 1866-1962 · New York, H. Holt and company · leaf 258
ur had richness anddepth and mass. The battle-pieces of Raffet were verita-ble paintings in black-and-white. The landscapes ofCalame and J. D. Harding were essentially a matter oftones. And now came Whistler, did away with tones(except in his few lithotints), gave us crayon drawingsin which the… … hfl z * r. £ - X 7. >. > — ^ bn LITHOGRAPHY 201 in form and movement, with a touch as light as air, ofan almost evanescent suggestiveness, sometimes height-ened by spots of color. His gray line and the summari-ness of his method show a marked difference from therich, deep notes, and…
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