always structural and architectural, recalls the finestperiods of such work in Italy, of which he has been a devoted 171 AMERICAN MURAL PAINTING student; and, although his methods show their inspira-tion too plainly to be considered original, yet he brings muchof his own treatment to the revival of… … Copyright, 1896, by C. S. Pearce. From a Copley Print. Copyright, 1897, by Curtis & Cameron. STUDY. By CHARLES SPRAGUE PEARCE. which go to make up the remarkable vistas that stretch outbefore the eyes, where all the arts seem to have become unitedin one family, each an accessory of the other.…
Mural painting and decoration · Painting
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