Analysis of drawing, painting and composing (1904)
Moore, H. L · London : Printed by VIncent Brooks, Day & Son, Ltd. · leaf 113
texture which slightly breaks upthe delicate modellings: and that, when, to make sure ofthe form not clear from his position, he goes close to hissubject, he should remember it should be represented as itappears from the distance he views the whole. 102 THE ART OF DRAWING. This hardness, coupled…
Composition (Art) · Drawing · Painting
Internet Archive · Getty Research Institute · Public Domain Mark 1.0. Free to use for anything.
