Analysis of drawing, painting and composing (1904)
Moore, H. L · London : Printed by VIncent Brooks, Day & Son, Ltd. · leaf 139
in coloured work—theyare the light and shade of it. Figure i is from an oil colour.Here the student in endeavouring to get the full valuesof tones arrived at what, from a distance, was practicallyblack in the shadows of the face, and these were the sameas the shadows of the hair. But, exclaimed the… … hair, then on the shadows of the face—they are lighter anddifferent in colour. Look at the shadow along the nose—itvaries considerably in tone—yours is flat. Look on thatblack drapery for a moment, then at the whole head. It isall full round colour and tone. The colours and tones clingtogether and…
Composition (Art) · Drawing · Painting
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