Analysis of drawing, painting and composing (1904)
Moore, H. L · London : Printed by VIncent Brooks, Day & Son, Ltd. · leaf 15
making all this part of the head reversed in form tothe one above. We see that the difference in the directionof the force necessitates a difference in the direction of theform. A consideration of these matters should show usthat to understand the form we must think of the force, other-wise we… … 5 II. PREHENSION AND CONNECTION.I 2 3 V S Suppose we have a sheet of pliable material andwith it construct a form in accordance with the principleexplained in the foregoing. If we lay the material on thetable and pour some water on it the water will of courserun over it and off in all directions :…
Composition (Art) · Drawing · Painting
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