Analysis of drawing, painting and composing (1904)
Moore, H. L · London : Printed by VIncent Brooks, Day & Son, Ltd. · leaf 150
g lines—in doingwThich we ought to be learning something of the matters,pages 18 and 20. Thus : the bulks 1, 2, 3, 4, 5, 6, 7, takensomehow thus : A and B : C and D : E and F: G and H :I and J : K L M N. Thus indicating the standing legfirst as this is more important in the pose than the… … Figure 3 is a slighter beginning. In this the complete-ness of the parts is not aimed at in the same degree. Butboth workings are constant in style and very differentfrom that of figure 1. What you have to learn is to take uponly a little matter at a time that it may be set down withfreedom,…
Composition (Art) · Drawing · Painting
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