Analysis of drawing, painting and composing (1904)
Moore, H. L · London : Printed by VIncent Brooks, Day & Son, Ltd. · leaf 152
ribbling in onesense; but it shows how they flow into one another andstrike through one another, and this is most likely whatthe designer considered first. Ol course it would not doto scribble like this in hard lines, or in ink : but slight char-coal lines can be brushed aside with the finger as… … A is on a level with T : and L is vertical with R, and so on,all the time you are working. You will do a great deal byalmost unconsciously glancing up and down and across.But a beginner has to learn the measurements, and he mustapply them more slowly or he will go all over his paperbefore he…
Composition (Art) · Drawing · Painting
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