Analysis of drawing, painting and composing (1904)
Moore, H. L · London : Printed by VIncent Brooks, Day & Son, Ltd. · leaf 157
lack and white, painting, and criticising,apply what has been said concerning the head. The character of line in this figure is magnificent, thestudent should study it carefully: a knowledge of the longflat lines and the brisk change from the convex to theconcave should do much to save him from the… … Substance/ page 27. In the work of this man there iseverywhere a great and refined strength; he surpasses theothers as much in delicacy as in force. In his female figuresthe surface seems smooth, yet in them there is the appearanceof bone and muscle which could jerk out into action. Tocopy, or to…
Composition (Art) · Drawing · Painting
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