Analysis of drawing, painting and composing (1904)
Moore, H. L · London : Printed by VIncent Brooks, Day & Son, Ltd. · leaf 168
158 PAINTING AND DESIGNING. lines of figures i, 2, 3 on page 16; whereas the lines offigure 12 are as the lines figure 4, there. This mixturetends to the expressionless but not necessarily to theugly. Ugliness could be in perfect unity of character :but a break in the character of lines very often…
Composition (Art) · Drawing · Painting
Internet Archive · Getty Research Institute · Public Domain Mark 1.0. Free to use for anything.
