Analysis of drawing, painting and composing (1904)
Moore, H. L · London : Printed by VIncent Brooks, Day & Son, Ltd. · leaf 175
ference between its form and colour and therest of the subject would be likely to cause a very displeas-ing break in the unity. In figure 12 the idea was to make thehorse quite natural, and the wing is not connected with thestructure at all. It might be made a little unnatural, andthe wing… … The accompanying figures are from instantaneousphotographs of a horse. It will be seen that momentaryactions are not always in unity of character (page 31 , nordo they always express the motion which is taking place.Yet these actions are true to nature and many very ex-pressive ones in art are not.…
Composition (Art) · Drawing · Painting
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