Analysis of drawing, painting and composing (1904)
Moore, H. L · London : Printed by VIncent Brooks, Day & Son, Ltd. · leaf 177
nd B are uglyforeshortenings. Violent foreshortening is rarely pleas-ing, but sometimes the action of a figure requires it—as atG, in 26. The legs at E and the arms at F are confusing.There is much more unity in the style of action andcharacter of line, and the positions are clearer in the… … PAINTING AND DESIGNING. 167 The student should criticise his work in this manner.But as to whether a design should be radiating, or circular,square, or pyramidial, as to whether the leading characterof line should be active, and curved, or angular, or bepassive and curved, or angular, and as to…
Composition (Art) · Drawing · Painting
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