Analysis of drawing, painting and composing (1904)
Moore, H. L · London : Printed by VIncent Brooks, Day & Son, Ltd. · leaf 182
with the door and statue, then the mass in themiddle and the two corner figures—the angular lines ofwhich break monotony, though probably the chief reasonfor their being so, is, that if vertical, the mass therewould rival Paul, and make him less conspicuous. Again,the top of the door is level with… … 172 PAINTING AND DESIGNING. for architectural unity, or have come partly by chance—though I think there is little of this in such work. Then we have the dignified figure Paul—like a columnon a pedestal, repeated in some degree by the figure infront, which seems in sympathy with him. Then the…
Composition (Art) · Drawing · Painting
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