Analysis of drawing, painting and composing (1904)
Moore, H. L · London : Printed by VIncent Brooks, Day & Son, Ltd. · leaf 188
veryfinished) he should carry it further with the pencil. Havingadvanced the whole to the latter stage, sit back and try tofully realize the following points before carrying it further. PAINTING AND DESIGNING. 177 (1) The strength of the colours. By not fully realizingthis the beginner generally… … gradually found to be too light, and then after morework still too light. In going over such small work severaltimes the sharpness is lost and there is no force and freedom.(2) The roundness 0/ the bunch. See page 88. The patchesof colour and light and shade are so strong that theyN 178 PAINTING…
Composition (Art) · Drawing · Painting
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