Analysis of drawing, painting and composing (1904)
Moore, H. L · London : Printed by VIncent Brooks, Day & Son, Ltd. · leaf 193
before it becomes too dry, then let thatpart dry, and pass the brush across another space of thedried paper and do some more, then re-moisten the aboveand so on. In the lower part of the picture one can washone tint over another : this keeps the parts moist, and alsovaries the tints. This stage… … ground. But the trees in the distance should be finishedwhile wet. The chief difficulty is to get the even soft tonethey have in nature : the student generally makes them PAINTING AND DESIGNING. with cut edges—like cabbages. I would begin the nextstage by drawing in all the strongest darks in the…
Composition (Art) · Drawing · Painting
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