Analysis of drawing, painting and composing (1904)
Moore, H. L · London : Printed by VIncent Brooks, Day & Son, Ltd. · leaf 195
oreground are much larger and sharperthan in the middle distance and background, and so on.This may seem a very simple matter, but much excellentwork is damaged by lacking a suggestion of this quality. The tones and textures on plane 1, will be different from2, and this from 3. Figures 4 show the… … PAINTING AND DESIGNING. 185 in the next. This latter, which is a frequent mistake, isshown again in 9. When stroke, drag, or scumble, is addedto a wash, the two should be blended, or the result will be aviolent difference of texture. Often foliage, such as 6,which can be rendered only by small…
Composition (Art) · Drawing · Painting
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