Analysis of drawing, painting and composing (1904)
Moore, H. L · London : Printed by VIncent Brooks, Day & Son, Ltd. · leaf 22
m above its upright position—the skull beingremoved. The collar-bone and shoulder-blade continue thisform, and, with the help of the muscles, produce anothercentre, the object of which is the head of the arm-bone.Notice that the bones here point chiefly in a directionrather out from the front of… … Thus all through the structure we perceive the principlewhich was pointed out in regard to the hammer and thebasin: and throughout we see the same intention anddetermination in the lines. They have their settled definitedirections, they thrust themselves from point to pointwith vigorous purpose.…
Composition (Art) · Drawing · Painting
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