Analysis of drawing, painting and composing (1904)
Moore, H. L · London : Printed by VIncent Brooks, Day & Son, Ltd. · leaf 25
meet its object (the globe) in a line opposite tothe strain it receives, thus making a line similar to themean line of the rhinoceros skull, and the whole lengthof the figure is thrown back against the strain exerted onthe shoulder by the arm. Here then we have anotherelement—Momentary form; and we… … STRUCTURAL FORM. against the others we can, I think, feel how the direction andaction of one living part influences another. Place the tipsof the fingers and thumbs together with the palms apart;press them together, the form will be solid; straighten onehand and press together; the straight hand…
Composition (Art) · Drawing · Painting
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