Analysis of drawing, painting and composing (1904)
Moore, H. L · London : Printed by VIncent Brooks, Day & Son, Ltd. · leaf 32
s in the adult—so that if they were continued they EXPRESSIVE FORM. 2 I would glide lightly one into the other. Also there is not somuch detail and variety in the sizes of the parts. (See sec-tion VII.) All which tends to make the character of forminactive and small. Compare figures 3 and 4. We… … This whirls our attention somehow as in the figureabove. There is less of this disturbance with the nextfigure: still less with the next, and none with the unbrokencircle, 22 V. DISTINCTNESS. ANGULARITY. Completeness and unity in each part necessitates acorresponding degree of distinctness, or…
Composition (Art) · Drawing · Painting
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