Analysis of drawing, painting and composing (1904)
Moore, H. L · London : Printed by VIncent Brooks, Day & Son, Ltd. · leaf 41
ure 10. Figure 9 is a grand line. Notice how the skin pullsfrom the two muscles like the cloth in figure 1 : and noticealso that the curve of the line is like the middle line insection VII. But figures 6 and 7 are more like the line 2above, and the line A in section VII. So also are MichaelAngelos… … 3iIX. UNITY IN THE CHARACTER OF MOMENTARY LINES. Here, in figure i, we have a man pointing out somethingcasually to another—something that is evidently not veryexciting—and the other figure is looking at it listlessly. Hereit will be seen that all the lines are of the same character,and therefore,…
Composition (Art) · Drawing · Painting
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