Analysis of drawing, painting and composing (1904)
Moore, H. L · London : Printed by VIncent Brooks, Day & Son, Ltd. · leaf 72
ing it as above—and note the point it passesthrough the outline. In the above the front line of theneck passes through the corner of the eye and the middleof the forehead. Consideration of these matters should show the beginnerthat he must, of necessity, go wrong when he allows hisattention to… … In these (figures i and 2) you have realized a portion ofwhat was told you, but you have not set the matters downlightly and freely. And indeed it is not easy to deal lighthand freely with fresh matter. But you can draw lightly.These lines by their rigidity fix the amount they express;and it is…
Composition (Art) · Drawing · Painting
Internet Archive · Getty Research Institute · Public Domain Mark 1.0. Free to use for anything.
![An illustration from Clariss[imi] pictoris et geometræ Alberti Dureri, De varietate figurarum et flexuris partium ac gestib[um] imaginum, : libri duo, cqui priorib[us] De symmetria quondam editis, nunc primum in latinum conversi accesserunt (1534)](https://img.insideoutlibrary.com/img/200/ia-clarissimipictor00dure-31-38.webp)
