Analysis of drawing, painting and composing (1904)
Moore, H. L · London : Printed by VIncent Brooks, Day & Son, Ltd. · leaf 81
ng around it (see page 10). And, having lightlymarked this, connect it with another centre of form—saythe ear; then do the same in regard to the mouth (figure 3).By regarding only the mean lines, and working looselyand slightly, we have been enabled to do this so rapidlythat we have not lost sense… … that you were tracing no theme, you were not following theforms intelligently. And you see that, in order to get asense of the whole in this way, one must work rapidly, elsethere would be so great an interval between the marking ofthe parts that it would be like hearing a tune played witha long…
Composition (Art) · Drawing · Painting
Internet Archive · Getty Research Institute · Public Domain Mark 1.0. Free to use for anything.
