Analysis of drawing, painting and composing (1904)
Moore, H. L · London : Printed by VIncent Brooks, Day & Son, Ltd. · leaf 82
ooseand plastic state : then we will begin to give definition,squareness, rigidity, and detail. Thus exhausting onetheme before taking another and keeping our attentiondiffused over the whole before we concentrate our attentionon the parts. The work may be started and carried on thusin tones… … The expressing of this quality of the clinging togetherof the parts—the expression of the thing as a whole—isvery difficult in a complex subject and requires strongfeeling for harmony as well as great knowledge of theparts. One can imagine that Velasquez, when painting ahead, would have his…
Composition (Art) · Drawing · Painting
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