Analysis of drawing, painting and composing (1904)
Moore, H. L · London : Printed by VIncent Brooks, Day & Son, Ltd. · leaf 90
this as the results are more effective :but, of course, little is learnt of light and shade. Shading the subject when it is against a ground verydifferent in tone from the paper is more difficult unlessa similar one is added in the study—which is usuallyunnecessary trouble. The light should so fall… … Begin by studying your subject till you have properlyrealized what should be set down first. Suppose theoriginal to be as figure i. Here the light falls on the frontof the face, and from this the tone begins and deepensas it goes round. Look at the mass of light, and, whilelooking at it, consiaer…
Composition (Art) · Drawing · Painting
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![An illustration from Picture Posies. Poems chiefly by living authors, and drawings by F. Walker, J. W. North, A. B. Boughton [and others] ... Engraved by Dalziel Brothers (1874)](https://img.insideoutlibrary.com/img/200/bl-bl_002911096_0-47-2.webp)
