Analysis of drawing, painting and composing (1904)
Moore, H. L · London : Printed by VIncent Brooks, Day & Son, Ltd. · leaf 97
ht.* Thus our high light will be the same tone as thatpart in the object which lies in a place parallel with the planeof our paper. Now if we show the ///// contrast betweenthe high light and the next tone and so on to the darkestshadow and from this to the still darker ground, workingthus from… … scarcely cut the casts edge so sharply as the grey wall does,and thus the broad effect of grey and white will have beenlost. Figure i. On the other hand, if we begin by render-ing the true tint of the wall and the full contrast between itand the cast regarded as a mass, we shall have to make…
Composition (Art) · Drawing · Painting
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![An illustration from Travels through the Southern Provinces of the Russian Empire in 1793 and 1794. Translated from the German [by F. W. Blagdon]. MS. notes (1812)](https://img.insideoutlibrary.com/img/200/bl-bl_002753914_2-422-1.webp)
