Analysis of drawing, painting and composing (1904)
Moore, H. L · London : Printed by VIncent Brooks, Day & Son, Ltd. · leaf 99
o stand back and to pay noattention to these modellings, but to concentrate his atten-tion on the tones surrounding and enveloping them—figure2 : then to carefully compare the tones in front with them.When next I saw the drawing it was much improved. Thetrue tones were as in figure 3. In this case… … Figures i and 2 : an ear in shadow. The first is viewedin regard to the shadows near it only : the second is inregard to the strongest lights and shadows on the head. If THE ART OF DRAWING; 89 the subject were the ear only figure 1 would not be incorrect,but it would be bad as a portion of the…
Composition (Art) · Drawing · Painting
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