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Anthropometamorphosis: man transform'd: or, The artificiall changling, historically presented, in the mad and cruel gallantry, foolish bravery, ridiculous beauty, filthy finenesse, and loathsome loveliness of most nations, fashioning and altering their bodies from the mould intended by nature; with figures of those transformations. To which artificial and affected deformations are added, all the native and national monstrosities that have appeared to disfigure the humane fabrick. With a vindication of the regular beauty and honesty of nature (1653)

J. B. (John Bulwer), 1606-1656 · London, Printed by W. Hunt · leaf 351

An illustration from Anthropometamorphosis: man transform'd: or, The artificiall changling, historically presented, in the mad and cruel gallantry, foolish bravery, ridiculous beauty, filthy finenesse, and loathsome loveliness of most nations, fashioning and altering their bodies from the mould intended by nature; with figures of those transformations. To which artificial and affected deformations are added, all the native and national monstrosities that have appeared to disfigure the humane fabrick. With a vindication of the regular beauty and honesty of nature, 1653, leaf 351
T he Artificiall Ch angling, z 93 InSt*? women. … ing accounted a moft comely and beautiful! wea- ring; but to weare long nailes upon the power- full Mafter-finger,is a Prerogative Royall, which yet is point of State in Turfy, for the Grand Sig- Graves Defer: niour hath his T urnackgee Bafbaw, whofe office it ‘O# court. is to pare the Kings…

Manners and customs · Mutilation

Internet Archive · Duke University Libraries · Public domain (published before 1931). Free to use for anything.

More pictures from Anthropometamorphosis: man transform'd: or, The artificiall changling, historically presented, in the mad and cruel gallantry, foolish bravery, ridiculous beauty, filthy finenesse, and loathsome loveliness of most nations, fashioning and altering their bodies from the mould intended by nature; with figures of those transformations. To which artificial and affected deformations are added, all the native and national monstrosities that have appeared to disfigure the humane fabrick. With a vindication of the regular beauty and honesty of nature

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