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Anthropometamorphosis: man transform'd: or, The artificiall changling, historically presented, in the mad and cruel gallantry, foolish bravery, ridiculous beauty, filthy finenesse, and loathsome loveliness of most nations, fashioning and altering their bodies from the mould intended by nature; with figures of those transformations. To which artificial and affected deformations are added, all the native and national monstrosities that have appeared to disfigure the humane fabrick. With a vindication of the regular beauty and honesty of nature (1653)

J. B. (John Bulwer), 1606-1656 · London, Printed by W. Hunt · leaf 69

An illustration from Anthropometamorphosis: man transform'd: or, The artificiall changling, historically presented, in the mad and cruel gallantry, foolish bravery, ridiculous beauty, filthy finenesse, and loathsome loveliness of most nations, fashioning and altering their bodies from the mould intended by nature; with figures of those transformations. To which artificial and affected deformations are added, all the native and national monstrosities that have appeared to disfigure the humane fabrick. With a vindication of the regular beauty and honesty of nature, 1653, leaf 69
The Axtificiall Changling. 13 ™9ds narrow fo directed to grow into this Gcntiiitian forme. The Apichtgu/ 5 Pichunjli, San a-, People Oi Punhai P^r# the Indies , affed the fame mad Gallantry of a 4.M.7. broad Head and platter Face 5 to bring their Children to which Affeded deformity , they lay one… … tle Pillowes to extend them. Such contradidi- ons there is in the Phantafies and opinions of Men and clafhings in. point of Elegancy in the Figure of the Head) that we may well cry out with Pliny 5 that there is no thing fo vaine and fo n Proud as Man. In

Manners and customs · Mutilation

Internet Archive · Duke University Libraries · Public domain (published before 1931). Free to use for anything.

More pictures from Anthropometamorphosis: man transform'd: or, The artificiall changling, historically presented, in the mad and cruel gallantry, foolish bravery, ridiculous beauty, filthy finenesse, and loathsome loveliness of most nations, fashioning and altering their bodies from the mould intended by nature; with figures of those transformations. To which artificial and affected deformations are added, all the native and national monstrosities that have appeared to disfigure the humane fabrick. With a vindication of the regular beauty and honesty of nature

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