The architecture of the renaissance in Italy : a general view for the use of students and others (1909)
Anderson, William J. (William James), 1864-1900 · London, B. T. Batsford · leaf 182
ys toanything that had been done before. Never were the arts moreperfectly united in a common purpose, nor had they ever ablerexponents. In the painting of Botticelli, Raffaello, Sodoma,and Titian, the sculpture of Michelangelo, and the architectureof Peruzzi and Sanmicheli, all art, subsequent to… … Tempietto in Cloisters of San Pietro in Montorio, Rome. Bramante, Archt. 92 THE CULMINATION IN ROME. yet seen. And yet there was no Parthenon of the Renaissance^no nia^mun opus in which was enshrined all that was greatestand most perfect in the art of that epoch. Those works whichin a measure…
Architecture, Renaissance · Architecture
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