Cook, Clarence, 1828-1900 · New York, S. Hess · leaf 230
ting, and secured an aiidience for anything that theartist might have to offer next. But that flrst success—counting the two pictures as one—has never been repeated. The other example we give, The Dispute, has many excellentqualities—it has clear story-telling, force in execution, and displays more… … ART AND ARTISTS OF OUR TIME. jo7 to the merely luiman sympathies, as we find in the WeclcTiug and the Baptism, AvhUethere was much to repel the lover of pleasing pictures in this bloody quarrel iu a j>ublic
Painting · Painters
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