The art of the Netherland galleries : being a history of the Dutch school of painting illuminated and demonstrated by critical descriptions of the great paintings in the many galleries (1908)
Preyer, David C. (David Charles), 1861-1913 · Boston : L.C. Page & Co. · leaf 100
siveof beauty as the vehicle of his vision of the actionof light with its glints of surprise, and of colourin its golden harmony of broken tints. What caredhe whether others were pleased, so long as his in-dependent mind had free scope to create beauty ashe saw it. And deep-seated in his nature was… … en /-V o ■^ 1—I ^ Q X <^ X, ?J c/5 W Pu <^ 1—1 ^ IRembtanbt 65 his creations that even anachronistic details, or in-cidents which might turn the thoughtless to levity,are put out of obtrusive sight. Rembrandts spiri-tual side was not shaped by dogmatic tenet orchurchly creed. His intense…
Art museums · Painting
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