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The art of show card writing; a modern treatise on show card writing, designed as an educator in all branches of the art...With two hundred and fifty-six illustrations and thirty-two lettering plates, comprising all the standard ancient and modern styles (1907)

Strong, Charles J. (Charles Jay), 1865- · Detroit, The Detroit school of lettering · leaf 36

An illustration from The art of show card writing; a modern treatise on show card writing, designed as an educator in all branches of the art...With two hundred and fifty-six illustrations and thirty-two lettering plates, comprising all the standard ancient and modern styles, 1907, leaf 36
k with the point of the brush. Usethe side of the brush and keep the hair spread as much aspossible. This is not only the easiest way to draw a correctline, but helps to fill in the letter as you go. (2) Always begin the formation of a letter by firstexecuting the vertical strokes. (3) The spurs… … Fig. 25. (5) When making a connection, i, e., joining two brushstrokes as illustrated in Fig. 25 do not resume exactly at thestopping point (A) but begin a short distance back of, or abovethe preceding stroke and gradually spread the hair until youreach the point from which you desire to continue.…

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