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The art of show card writing; a modern treatise on show card writing, designed as an educator in all branches of the art...With two hundred and fifty-six illustrations and thirty-two lettering plates, comprising all the standard ancient and modern styles (1907)

Strong, Charles J. (Charles Jay), 1865- · Detroit, The Detroit school of lettering · leaf 47

An illustration from The art of show card writing; a modern treatise on show card writing, designed as an educator in all branches of the art...With two hundred and fifty-six illustrations and thirty-two lettering plates, comprising all the standard ancient and modern styles, 1907, leaf 47
r the fine lines. Keep the whole of the pen point on the surfaceall the time, regardless of the width of the stroke. The principle isexactly the same as for ordinary writing, where the pressure is grad-uated according to the width of the stroke desired. Card pens arestubby and less elastic than… … Fig. 33.

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