Inside Out Library

The art of show card writing; a modern treatise covering all branches of the art ... with one hundred and fifty-three illustrations and thirty-two lettering plates, comprising all the standard ancient and modern styles (1922)

Strong, Charles J. (Charles Jay), 1865-, Strong, Lawrence J., joint author · Chicago, Frederick J. Drake & company · leaf 202

An illustration from The art of show card writing; a modern treatise covering all branches of the art ... with one hundred and fifty-three illustrations and thirty-two lettering plates, comprising all the standard ancient and modern styles, 1922, leaf 202
Fig. 14J not be touched b.v the hand of the workman, as the least mark will show andcannot be era.sed. This is one point in favor of the stick. Letterers usingthe rest stick have more freedom with the hand holding the brush. They aregiven a greater scope in the sweep of the hand and are not… … a limited area as is the workman using his hand for a rest. The rest stickmay also be used in many ways to splendid advantage, among which atten-tion is called to Fig. 143. The hand that holds the brush should be placed on the stick and nllowed 198 THE AET OF SHOW CARD WRITING to rest firmly, while…

Advertising cards · Lettering

Internet Archive · Library of Congress · Public Domain Mark 1.0. Free to use for anything.

More pictures from The art of show card writing; a modern treatise covering all branches of the art ... with one hundred and fifty-three illustrations and thirty-two lettering plates, comprising all the standard ancient and modern styles

More like this