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The art of show card writing; a modern treatise covering all branches of the art ... with one hundred and fifty-three illustrations and thirty-two lettering plates, comprising all the standard ancient and modern styles (1922)

Strong, Charles J. (Charles Jay), 1865-, Strong, Lawrence J., joint author · Chicago, Frederick J. Drake & company · leaf 38

An illustration from The art of show card writing; a modern treatise covering all branches of the art ... with one hundred and fifty-three illustrations and thirty-two lettering plates, comprising all the standard ancient and modern styles, 1922, leaf 38
teady stroke is more desirableand will insure better results than a slow, hesitating movement. (5) When making a connection; i. e., joining two brushstrokes as illustrated in Fig. 25, do not l)egin exactly at thestopping point (A) but begin a short distance back of, or abovethe preceding stroke and… … Vie. ■2< The brush should be held between the thumb and first finger firmly butlightly, in much the same position as a pen or pencil,—not stiff or rigid, butso as to allow the handle of the brush to roll between the fingers when neces-sary, as in the execution of a curve. Try to maintain a…

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