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The art of show card writing; a modern treatise covering all branches of the art ... with one hundred and fifty-three illustrations and thirty-two lettering plates, comprising all the standard ancient and modern styles (1922)

Strong, Charles J. (Charles Jay), 1865-, Strong, Lawrence J., joint author · Chicago, Frederick J. Drake & company · leaf 43

An illustration from The art of show card writing; a modern treatise covering all branches of the art ... with one hundred and fifty-three illustrations and thirty-two lettering plates, comprising all the standard ancient and modern styles, 1922, leaf 43
drawn ina finished style. The card-writer should make it a point to woi-k directly overhis work on the card itself. Experts but rarely use the bridge or arm-rest.they prefer the natural way to work, that is. resting the hand directlv on the 38 THE AKT UF SH()A\ CARD AVEITING card surface, the same… … Fig. IS Show Card Brushes The brush is tlu- first and most important tool with which you shouldbecome familiar. Ked Sable lettering brushes, with handles about six incheslong, securely fitted into nickel or copper ferrules, are the kind all expertsuse and aie, therefore, the kind reconunended.…

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