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The art of the Wallace Collection, including an account of its founders, a description of the pictures, and a survey of the chief exhibits in the galleries devoted to objects of art and arms and armour (1913)

Shelley, Henry C. (Henry Charles) · Boston, L. C. Page · leaf 198

An illustration from The art of the Wallace Collection, including an account of its founders, a description of the pictures, and a survey of the chief exhibits in the galleries devoted to objects of art and arms and armour, 1913, leaf 198
Titians work inasmuchas the Andromeda supports the contention that theartist knew neither passion nor desire. A femalebody did not signify a woman for him, but a har-mony of form, line and colour. Like his pictureof Alfonso dEste placing his mailed fist upon thebosom of his beloved is Titians… … Q W o Qen w I—t H M XTDe /iDasterpteces ot tbe Collection 139 clared her more lovely than the Nereids. The pic-ture, too, is painted in so low a key that the entirecomposition makes perhaps the least sensual ren-dering of the famous myth. And, notwithstandingthe fame of Titian, it may be objected…

Wallace Collection (London, England) · Painting -- England London · Art objects -- England London

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