The arts in the Middle Ages and the Renaissance (1886)
Jacob, P. L., 1806-1884, Armstrong, Walter, Sir, 1850-1918 · London : J.S. Virtue & Co. · leaf 329
ure (Fig. 234), as remarked by Emeric David, raised itselfto the height of the sublime by merely striving after a simple and exactimitation of nature. It was by the same course of action that Frenchsculpture always emulated its Transalpine rival; but, in order to attain thesame end, the imitation… … Fig. 23}.—Bas-relief on one of the Bronze Gates of St. Peters at Rome, representing the Coronation of theEmperor Sigismund by Pope Eugenius IV., in 1433. (Sculpture of the Fifteenth Century.) neglected. France showed more respect for the orthodoxy of Christianthought; she did not introduce into the…
Art, Medieval · Art, Renaissance
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