The beginnings of Buddhist art, and other essays in Indian and Central-Asian archæology (1917)
Foucher, A. (Alfred), 1865-1952, Thomas, L. A., Miss, Thomas, Frederick William, 1867-1956 · Paris : P. Geuthner; [etc., etc.] · leaf 334
stusks by the aid of a saw furnished with a curved spring, much moreelaborate than the tool used at Barhut. ^—5. Finally, right at the top, thelatter carries away, on the two ends of a pole balanced on his rightshoulder, the spoUa opima of the Bodhisattva. It is curious to observethat the tusks are… … 1. — AT BARHUT
Art, Buddhist
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