Dalton, O. M. (Ormonde Maddock), 1866-1945 · Oxford, At the Clarendon Press · leaf 204
h tothis source of inspiration. A kind of hereditary instinct seems to have kept theItalians true to classical models : the sculptors working for Frederick II inApulia obeyed such an instinct; so did Niccolo Pisano, who borrowed from thepagan art of Eome rather than from that of the Christian era.… … WKAlfVVWHN fN<J>\(AAKH+en m rxi m i n o m H eTo&e on tw fWt*nt OTfTf Af 5A1ITIC-f I1MAIA Fig. 106. Illuminated head-piece from a Gospel of the eleventh century in the British Museum.
Art, Byzantine · Christian antiquities · Christian art and symbolism
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