Dalton, O. M. (Ormonde Maddock), 1866-1945 · Oxford, At the Clarendon Press · leaf 207
feeling rather than feeling itself.The development was doubtless due to similar causes in East and West, for~though the French carvers had abundant models in monumental sculpture,it would appear that with the fourteenth century they resorted more andmore to the convenient models presented by… … Ifefi^ Fig. 109. Figure engraved onbone, about the fifth century, in theCairo Museum. {Catalogue general:Koptische Kunst, No. 7069.) CARVINGS IN IVORY 183 The difficulty in deciding the provenance of ivories from the ChristianEast is especially great in the First Period. At that time the…
Art, Byzantine · Christian antiquities · Christian art and symbolism
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