Dalton, O. M. (Ormonde Maddock), 1866-1945 · Oxford, At the Clarendon Press · leaf 218
an appearanceof superiority over contemporaryivories with Christian subjects,the artists of which had nosuch models to copy. It alsorenders even more hopeless thetask of discriminating betweenwork produced in Italy and in the Christian East, where the same ^ t1„ . , . T1, . „ „ ,. , , „ ,.,,...,,.… … 1 Pulszky, Gatty, Westwood, Fictile Ivories, Nos. 15 and 16 ; W. Mask ell, Description, &c,p. 166 ; Molinier, Ivoires, No. 61, p. 45 ; H. G-raeven, Gbtt. gel. Anz., 1897, 351; Venturi, Storia, i,Fig. 357 ; W. Meyer, Zwei ant ike Elfenbeintafeln, &c, No. 55. 2 Molinier, No. 62, p. 45 ; W.…
Art, Byzantine · Christian antiquities · Christian art and symbolism
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