Dalton, O. M. (Ormonde Maddock), 1866-1945 · Oxford, At the Clarendon Press · leaf 672
arative frequency replaced by such compromises as those seen on theampullae of Monza,1 or by the simple cross without the figure of theCrucified.2 In the series of Gospel pictures in the mosaics of S. ApollinareNuovo at Ravenna, the Crucifixion scene is altogether omitted.3 Theiconoclastic dispute… … Fig. 410. Josephs Dream, the Flight into Egypt, the Baptism, the Transfiguration, theRaising of Lazarus: mosaics of the twelfth centuiy in the Cappella Palatina, Palermo.(Hautes Etudes: G. Millet.) idolatry. Deriving their inspiration from oriental sentiment, they wishedto restore to Christian art…
Art, Byzantine · Christian antiquities · Christian art and symbolism
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