Art and Archaeology Volume II July-December 1915 (1915)
The Archaeological Institute of America · leaf 12
ianpainting. In otherwords, not one or twobut every school ofItalian painting hadto be representedby several charac-teristic works. For the purposesof study one gener-ally divides Italianpainting into fivegreat schools. Inthe southern andcentral part of thepeninsula the Sien-ese and Umbrianschools… … EXHIBITION OF ITALIAN PAINTINGS IN FOGG MUSEUM 13 liest school, remained true to the hieraticand decorative ideals of the Byzantineart whence all Italian painting sprang.In other words it remained fundamen-tally mediaeval. The latter, inspired bythe tenderness and humanity which con-trol the…
Italian painting · Spanish Renaissance · Architecture · Aboriginal Art · Maya · Panama-California Exposition · San Diego
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