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A catalogue raisonné of the works of the most eminent Dutch, Flemish, and French painters : in which is included a short biographical notice of the artists, with a copious description of their principal pictures; a statement of the prices at which such pictures have been sold at public sales on the continent and in England; a reference to the galleries and private collections, in which a large portion are at present; and the names of the artists by whom they have been engraved; to which is added, a brief notice of the scholars & imitators of the great masters of the above schools (1908)

Smith, John, dealer in pictures · London : Sands · leaf 269

An illustration from A catalogue raisonné of the works of the most eminent Dutch, Flemish, and French painters : in which is included a short biographical notice of the artists, with a copious description of their principal pictures; a statement of the prices at which such pictures have been sold at public sales on the continent and in England; a reference to the galleries and private collections, in which a large portion are at present; and the names of the artists by whom they have been engraved; to which is added, a brief notice of the scholars & imitators of the great masters of the above schools, 1908, leaf 269
ted at the fartherside of the table, is amusing himself with two tobacco pipes.At the same time a woman servant, with a pot of embers inher hand, is crossing the room, in front. of a large projectingchimney, over which hangs a picture. A brilliant light isadmitted at the window, which falls upon… … PETER DE HOOGE. 235 It was purchased, with a collection of Dutch and Flemish pictures,of the Count Portales, 1826, l)y the AVriter, in conjunction withMr. Emmerson, and sold to the Hight Hon. Sir Ko})ert Peel, Bart. 50. A View in a Back Court, looking towards a brick house,with a lofty arched…

Painters -- Netherlands · Painters -- Flanders · Painters -- France · Painting · Painting -- Prices

Internet Archive · University of Toronto, Robarts Library · Public Domain Mark 1.0. Free to use for anything.

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